Which of the following statements is INCORRECT?-考呗网

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单选题 Which of the following statements is INCORRECT?

A．About a century ago, children in England could not sit beside their parents without permission．
B．In Renaissance Italy, complex code of manners had no effect on common people．
C．In Renaissance Italy, common working men lived in poor conditions．
D．Consideration for the old and weak is still one of the fundamental elements of all good manners．

参考答案：B进入在线模考

本题的出题点在文章重要细节处。倒数第二段提到，在文艺复兴时期的意大利，富有且悠闲的上层社会形成了一套非常复杂的礼制，但是上层社会的这些行为准则对下层阶级的日常生活只有很小的影响，B“对普通民众毫无影响”说法过于绝对，故选8。第三段最后一句提到，在英国，直到一个世纪之前父母在场时小孩子不经允许是不能坐着的，故排除A；倒数二段提到，许多上层社会的礼仪规则与普通工人阶级的生活方式是不相关的，因为普通人的大部分时间都是在户外或自己简陋的小屋里度过的，故排除C；最后一段提到，一些基本的礼节是不会改变的，所有社会都会提倡关爱弱者和老人，故排除D。

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1 回答题
　　Eliot's interested in poetry in about 1902 with the discovery of Romantic． He had recalled how he was initiated into poetry by Edward Fitzgerld's Omar Khayyam at the age of fourteen． "It was like a sudden conversion," he said, an "overwhelming introduction to a new world of feeling．" From then on, till about his twentieth year of age (1908), he took intensive courses in Byron, Shelley, Keats, Tennyson, Rossetti and Swinburne．
　　It is, no doubt, a period of keen enjoyment．．．At this period, the poem, or the poetry of a single poet, invades the youthful consciousness and assume complete possession for a time．．．The frequent result is an outburst of scribbling which we may call imitation．．．It is not deliberate choice of a poet to mimic, but writing under a kind of daemonic possession by one poet．
　　Thus, the young Eliot started his career with a mind preoccupied by certain romantic poets． His imitative scribbling survives in the Harvard Eliot Collection, a part of which is published as Poems Written in Early Youth．"A Lyric" (1905), written at Smith Academy and Eliot's first poem ever shown to another's eye, is a straightforward and spontaneous overflow of a simple feeling． Modeled on Ben Johnson, the poem expresses a conventional theme, and can be summarized in a single sentence: since time and space are limited, let us love while we can． The hero is totally self-confident, with no Prnfrockian self-consciousness． He never thinks of retreat, never recognizes his own limitations, and never experiences the kind of inner struggle which will so blight the mind of Prufrock．
　　"Song: When We Came Home across the Hill" (1907), written after Eliot entered Harvard College, achieved about the same degree of success． The poem is a lover's mourning of the loss of love, the passing of passion, and this is done through a simple contrast． The flowers in the field are blooming and flourishing, but those in his lover's wreath are fading and withering． The point is that, as flowers become waste then they have been plucked, so love passes when it has been consummated． The poem achieves an effect similar to that of Shelley's "When the Lamp Is Shattered"．
　　The form, the dictation and the images are all borrowed． So is the carpe diem theme． In "Song: The Moonflower Opens" (1909), Eliot makes the flower-love comparison once more and complains that his love is too cold-hearted and does not have "tropical flowers with scarlet life for me．" ,In these poems, Eliot is not
writing in his own right, but the poets who possessed him are writing through him． He is imitating in the usualsense of the word, having not yet developed his critical sense． It should not be strange to find him at this stage so interested in flowers: the flowers in the wreath, this morning's flowers, flowers of yesterday, the moonflower which opens to the moth--not interested in them as symbols, but interested in them as beautiful objects． In these poems, the Romantics did not just work on his imagination; they compelled his imagination to work their way．
　　Though merely fin-de-siecle routines, some of these early poems already embodied Eliot's mature thinking,and forecasted his later development． "Before Morning" (1908) shows his awareness of the co-habitation of beauty and decay under the same sun and the same sky． "Circle's Palace" (1909) shows that he already entertained the view of women as emasculating their male victims or sapping their strength． "On a Portrait" (1909) describes women as mysterious and evanescent, existing "beyond the circle of our thought．" Despite all these hints of later development, these poems do not represent the Eliot we know． Their voice is the voice of traditionand their style is that of the Romantic period． It seems to me that the early Eliots connection with Tennyson is especially interesting,in that Tennyson seems to have foreshadowed Eliot's own development．

According to the first paragraph, we can learn that_____．

A．Eliot started to learn poems from Edward Fitzgerald
B．Edward Fitzgerald wrote Omar Khayyam at ! 4
C．Eliot engaged in the poetry at the age of fourteen
D．Eliot started to write romantic poetry in 1902

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2 Eliot was wrapped up in __ when he began to write poems．

A．Edward Fitzgerald's poems
B．romantic poems
C．classical literature
D．romantic literature

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3 Which of the following statements is NOT true of Eliot's first poem?

A．It was written at Smith Academy．
B．It was modeled on Ben Johnson．
C．It was included in Poems Written in Early Youth．
D．It expresses the theme that a common person's mind is loaded with inner struggle．

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